Additional information
by Elissa Marder (Author)
This book grows out of a longstanding fascination with the uncanny status of the mother in literature, philosophy, psychoanalysis, film, and photography. The mother haunts Freud's writings on art and literature, emerges as an obscure stumbling block in his metapsychological accounts of the psyche, and ultimately undermines his patriarchal accounts of the Oedipal complex as a foundation for human culture. The figure of
the mother becomes associated with some of psychoanalysis's most unruly and enigmatic concepts (the uncanny, anxiety, the primal scene, the crypt, and magical thinking). Read in relation to deconstructive approaches to the work of mourning, this book shows how the maternal function challenges traditional psychoanalytic models of the subject, troubles existing systems of representation, and provides a
fertile source for nonmimetic, nonlinear conceptions of time and space.
Author Biography
Elissa Marder is Associate Professor of French and Comparative Literature at Emory University and Distinguished International Faculty Fellow at the London Graduate School. Her most recent book is Dead Time: Temporal Disorders in the Wake of Modernity (Baudelaire and Flaubert).
