Additional information
by Michel Pastoureau (Author), Jody Gladding (Translator)
Michel Pastoureau's lively study of stripes offers a unique and engaging perspective on the evolution of fashion, taste, and visual codes in Western culture.
The Devil's Cloth begins with a medieval scandal. When the first Carmelites arrived in France from the Holy Land, the religious order required its members to wear striped habits, prompting turmoil and denunciations in the West that lasted fifty years until the order was forced to accept a quiet, solid color. The medieval eye found any surface in which a background could not be distinguished from a foreground disturbing. Thus, striped clothing was relegated to those on the margins or outside the social order--jugglers and prostitutes, for example--and in medieval paintings the devil himself is often depicted wearing stripes. The West has long continued to dress its slaves and servants, its crewmen and convicts in stripes. But in the last two centuries, stripes have also taken on new, positive meanings, connoting freedom, youth, playfulness, and pleasure. Witness the revolutionary stripes on the French and United States flags. In a wide-ranging discussion that touches on zebras, awnings, and pajamas, augmented by illustrative plates, the author shows us how stripes have become chic, and even, in the case of bankers' pin stripes, a symbol of taste and status. However, make the stripes too wide, and you have a gangster's suit--the devil's cloth indeed!Front Jacket
What do prostitutes, referees, and Renaissance clowns have in common? They all wear stripes, and Michel Pastoureau tells us why.
The Devil's Cloth begins with a medieval scandal. When the first Carmelites arrived in France from the Holy Land, the religious order required its members to wear striped habits, prompting turmoil and denunciations in the West that lasted fifty years until the order was forced to accept a quiet, solid color. The medieval eye found any surface in which a background could not be distinguished from a foreground disturbing. Thus striped clothing was relegated to those on the margins or outside the social order -- jugglers and prostitutes, for example -- and in medieval paintings the devil himself is often depicted wearing stripes. The West has long continued to dress its slaves and servants, its crew members and convicts in stripes.
But in the last two centuries, stripes have also taken on new, positive meanings, connoting freedom, youth, playfulness, and pleasure. Witness the revolutionary stripes on the French and United States flags. In a wide-ranging discussion that touches on zebras, gangsters, awnings, and pajamas, augmented by illustrative plates, the author shows us how stripes have become chic, and even, in the case of bankers' pinstripes, a symbol of taste and status.
Michel Pastoureau's lively study of stripes offers a unique and engaging perspective on the evolution of fashion, taste, and visual codes in Western culture.
Back Jacket
Discover why most national flags have stripes, the difference between the "aristocratic stripe" and the "peasant stripe", the connection between the stripe and music, and why prisoners wear black and white stripes.
"The stripe doesn't wait, doesn't stand still. It is in perpetual motion (that's why it has always fascinated artists: painters, photographers, filmmakers), animates all it touches, endlessly forges ahead, as though driven by the wind".
-- from The Devil's Cloth
Author Biography
Michel Pastoureau is a leading authority on medieval heraldry. He is the coauthor of The Bible and the Saints and Heraldry: An Introduction to a Noble Tradition.
