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by Poshek Fu (Editor), Man-Fung Yip (Editor)
This book offers an interdisciplinary, historically grounded study of Asian cinemas' complex responses to the Cold War conflict. It situates the global ideological rivalry within regional and local political, social, and cultural processes, while offering a transnational and cross-regional focus.
Author Biography
Poshek Fu is Professor of History at the University of Illinois at Urbana-Champaign. His research focuses on film history, Cold War cultures, and U.S.-China relations. He is the author of Between Shanghai and Hong Kong: The Politics of Chinese Cinemas (Stanford University Press, 1993) and Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai (Stanford University Press, 1993). He is also the editor of China Forever: The Shaw Brothers and Diasporic Cinema (University of Illinois Press, 2008), and co-editor of The Cinema of Hong Kong: History, Arts, Identity (Cambridge University Press, 2002).
Man-Fung Yip is Associate Professor of Film and Media Studies at the University of Oklahoma. He is the author of Martial Arts Cinema and Hong Kong Modernity: Aesthetics, Representation, Circulation (Hong Kong University Press, 2017) and co-editor of American and Chinese-Language Cinemas: Examining Cultural Flows (Routledge, 2015). His work has also appeared in Cinema Journal, Chinese Literature Today, and numerous edited volumes.
