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by William Demby (Author), Jeff Biggers (Introduction by)
An expat in Rome makes his way as a writer in this gripping and genre-defying novel, first published in 1965 by a rediscovered great of Black American literature.
In this masterpiece of metafiction set in the Rome of the tumultuous 1960s, Black American expatriate Bill Demby narrates his attempts to write a novel about his friend Doris, another Black American working as one of Elizabeth Taylor's handmaidens in the filming of Cleopatra. Utterly dependent upon Doris for the development of his novel, Demby is both a participant in and observer of her life as she begins an affair with an Italian count. Demby's growing emotional and artistic involvement in the tumultuous affair of his character-friend leads him on an existential quest for the meaning of truth and fiction, both lived and created, in a world torn by the social upheaval of the early sixties.Author Biography
William Demby was born in Pittsburgh, Pennsylvania, on December 25, 1922, and attended college in Clarksburg, West Virginia, before enlisting in World War II and serving in Italy. He graduated from Fisk University in 1947 then moved abroad to Rome, where he spent the next two decades working as a novelist, journalist, and script translator and screenwriter for the Italian cinema. In the late 1960s, Demby joined the faculty at The College of Staten Island, dividing his time between the United States and Italy. His works include Beetlecreek, The Catacombs, Love Story Black, and King Comus. In 2006, he was the recipient of the Anisfield-Wolf Book Award for Lifetime Achievement. He died in Sag Harbor, New York, in 2013.
Jeff Biggers is an American Book Award-winning historian, journalist, and playwright. Based part-time in Italy since 1989, he is the recipient of the David Brower Award for Environmental Reporting, the Foreword Magazine Book of the Year for Travel Writing, a Lowell Thomas Award for Travel Journalism, and other honors. Author of ten books of cultural history and investigative reporting, his work has appeared in the New York Times, The Atlantic Monthly, Salon.com, and on National Public Radio and Public Radio International.
