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by Francois Rabelais (Author), M. A. Screech (Translator)
A masterly new translation of Rabelais's robust scatalogical comedy
Parodying everyone from classic authors to his own contemporaries, the dazzling and exuberant stories of Rabelais expose human follies with mischievous and often obscene humor. Gargantua depicts a young giant who becomes a cultured Christian knight. Pantagruel portrays Gargantua's bookish son who becomes a Renaissance Socrates, divinely guided by wisdom and by his idiotic, self-loving companion, Panurge.
Author Biography
François Rabelais was born at the end of the fifteenth century. A Franciscan monk turned Benedictine, he abandoned the cloister in 1530 and began to study medicine at Montpellier. Two years later he wrote his first work, Pantagruel, which revealed his genius as a storyteller, satirist, propagandist and creator of comic situations and characters. In 1534 he published Gargantua, a companion to Pantagruel, which contains some of his best work. It mocks old-fashioned theological education, and opposes the monastic ideal, contrasting it with a free society of noble Evangelicals. Following an outburst of repression in late 1534, Rabelais abandoned his post of doctor at the Hotel-Dieu at Lyons and despite Royal support his book Tiers Livre was condemned. His last work, and his boldest, Quart Livre was published in 1551 and he died two years later. For the last years of his life Rabelais was persecuted by both religious and civil authorities for his publications. His genius however was recognized in his own day and his influence was great.
Dr. M. A. Screech is a Senior Research Fellow of All Souls College, Oxford, a Fellow of the British Academy and a Fellow of University College London; he long served on the committee of the Warburg Institute as Fielden Professor of French Language and Literature in London, until his election to All Souls in 1984. He is a Renaissance scholar of international renown. His books include Montaigne and Melancholy, as well as Rabelais and (on Erasmus) Ecstasy and the Praise of Folly; all are acknowledged to be classic studies in their fields.
