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by Mona Abaza (Author)
Cairo is a city of collective exhaustion. From the 2011 revolution to Sisi's seizure of power in 2013, like millions of others, Mona Abaza was swallowed by a draining and exhausting daily life of a city caught up in the aftermath of revolt - a daily life that transformed countless people into all-embracing apolitical subjects.
Cairo collages narrates four parallel tales about Cairo's urban transformations in the twenty-first century, examining everyday life and resilience after 2013. Weaving personal narrative with incisive theoretical discussions of the quotidian and the everyday, Abaza raises essential sociological questions regarding global orientations pertaining to emerging military urbanism. With reflections on the long hours of commuting to the gated communities in the desert east of Cairo and the daily material lives and social interactions of residents in decaying middle-class buildings, Abaza's collage of landscapes weaves together the transmutations underway in the various Cairene geographies.Back Jacket
'Rarely has a book immersed a reader into what it really means to inhabit a city, with all of its inscriptions, wayward intersecting lives, resounding contradictions, promiscuous aspirations, and stubborn constraints. Much more than collage, this is a compendium of Abaza's creative engagements with her messy surrounds, a tour de force of a life she has made Cairo worth living.'
AbdouMaliq Simone, University of Sheffield
'Cairo Collages comes to crown Abaza's already impressive contribution to studies on Cairo since the mid-1950s. Using her own apartment building as a topos through which to read political, economic, social, and aesthetic transformations in the country as a whole, Abaza ably balances meticulous insight with heart-wrenching black humour on the janus-faced city whose very name encapsulates its contradictions: at once victorious and vanquisher.'
Samia Mehrez, The American University in Cairo
Michael Burawoy, University of California, Berkeley 'Collage relies on cuts and juxtapositions of discontiguous and unlikely elements and thus provides a productively evocative aesthetic form for urbanisation in the present. Cairo after the revolution in quotation marks emerges in Abaza's graceful, sardonic and chaotic scenes through an ethnography of ethics: one in which the cut necessary for collage becomes not only the site of violence and rupture but also suture, repair and care. Cairo Collages demarcates the quiet coup of the quotidian city that is anything but everyday.'
Ryan Bishop, University of Southampton Cairo is a city of collective exhaustion. From the 2011 revolution to Sisi's seizure of power in 2013, like millions of others, Mona Abaza was swallowed by a draining and exhausting daily life of a city caught up in the aftermath of revolt. A daily life that transformed countless people into all-embracing apolitical subjects. Cairo collages narrates four parallel tales about Cairo's urban transformations in the twenty-first century, examining everyday life and resilience after 2013. Weaving personal narrative with incisive theoretical discussions of quotidian and everyday, Abaza raises essential sociological questions regarding global orientations pertaining to emerging military urbanism. With reflections on the long hours of commuting to the gated communities in the desert east of Cairo, and the daily material lives and social interactions of residents in a decaying middle-class buildings, Abaza's collage of landscapes weaves together the transmutations underway in the various Cariene geographies.
Author Biography
Mona Abaza (1959-2021) was Professor of Sociology in the Department of Sociology, Egyptology and Anthropology at The American University in Cairo. Over her vibrant career, her writing ranged from women in rural Egypt, the relation between Islam and the West, urban consumer culture, to Egyptian painting and the Arab Spring
